International phenomenon “Crazy,” co-written by GianFranco Reverberi and GianPiero Reverberi (both SIAE), along with Gnarls Barkley’s Cee-Lo Green, earned BMI’s College Song of the Year crown for tallying the most performances on American college radio. (PRS) and recorded by Bedingfield, “Unwritten” was the title track to Bedingfield’s platinum-selling debut album. performing right organization’s longtime consultant to the U.K., annually honors the most-performed song of the year written by a member or members of BMI’s European sister organizations. “Unwritten,” co-penned by Danielle Brisebois and Natasha Bedingfield (PRS), received one of the organization’s highest accolades, the Robert S. An early participant in Human Rights Now! and recipient of the Nobel Peace Laureates’ “Man of Peace” Award, Peter Gabriel founded world human rights advocacy supergroup in July 2007, with Richard Branson and Nelson Mandela. Amongst other bold endeavors, Gabriel founded Real World companies in 1987, housing his recording, publishing, film and multi-media ventures under one progressive roof. Thus far, he has released 11 albums featuring self-penned gems and BMI million-performance songs, including “Big Time,” “Solsbury Hill,” “Sledgehammer” and “In Your Eyes,” and composed soundtracks for numerous films, including Martin Scorsese’s The Last Temptation of Christ. The co-founder of rock band Genesis, Gabriel left the group in 1975 to begin a critically acclaimed, Grammy Award-winning solo career. Gabriel’s achievements, whether musical, visual or humanitarian, are the work of a true visionary. radio and television and also recognized Peter Gabriel (PRS) as a BMI Icon for his “influence on generations of music makers.” Hosted by BMI President & CEO Del Bryant, along with Executive Director, Writer/Publisher Relations Europe & Asia, Brandon Bakshi, the awards honored the past year’s most-played songs on U.S. Hopefully it gets the recognition it deserves and does amazingly well.BMI saluted Europe’s premier songwriters, composers and music publishers at its 2007 London Awards, held October 16 in the Grand Ballroom of London’s Dorchester Hotel. I believe this is one of those situations where it could go either way, because even though it’s a tremendous song, if it doesn’t get the right promotion and enough airplay and recognition, this song could flop disastrously, however, with the right boost, this song could actually be one of the biggest hits of this year, and in Sia’s career. Re-releases of songs don’t tend to do very well, but when they do, they do exceedingly well.

I kinda get where Sia is going with this, but is it a wise move? It’s a very risky thing to do. That’s not necessarily a bad thing either, as the song was just incomparable to begin with. The song roars with vocals, trumpets and beats, and you can’t help but get goosebumps to it as it pulsates your ear drums.Īlthough it’s been tweaked in a few places, is it any better than what it was before? I don’t think so. What was once already a huge dance triumph destined to be a single, is now out there where it should be. Skip forward 12 months, and Sia has tweaked a few minor things, and has now put it out there herself! The song was originally written for Shakira, but was turnt down by her record label, so Sia decided to keep the song for herself and featured it on her previous album. After releasing her album ‘This Is Acting’ in January of 2016, Sia has decided to release an upgraded version of a song from that very same album this year, titled ‘Move Your Body’. Sia is not shy when in comes to January releases.

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